A Conversation with Roine Stolt
Justin’s audio interview with Roine Stolt concerning the Anderson/Stolt project’s forthcoming release, “The Invention of Knowledge.”
Justin’s audio interview with Roine Stolt concerning the Anderson/Stolt project’s forthcoming release, “The Invention of Knowledge.”
RGM’s work is subtle, nuanced creativity, taking cues from the likes of Steven Wilson while still maintaining a strong individualistic approach to songwriting.
Really cool, superfluous, psychedelic prog presented in four-minute increments or less.
“Results” is a rough entry in the nebulous catalogue of modern post-metal.
A challenging piece of multilayered writing, “Bottled Out of Eden” contains all the dynamic intensity and unpredictability that has carved such a unique niche in the progressive rock arena for Knifeworld’s music.
“Crossing Over” waxes eloquent both lyrically and instrumentally, combining atmospheric elements with a strong metal vibe.
Polydactyl is a strong showcase of Ed Bernard’s mature musicianship, caliber of songwriting, and clear musical vision.
Aunt Mary’s first original studio project since 1973 struggles with self-identity.
Bruce Soord’s self-titled solo debut blends a singer-songwriter mantra with art rock, electronica, and ambience.
The symphonic metal band’s seventh album adds another notch to the rockers’ belt and a new lead singer to their roster… but not much more.