Have you ever heard an album that just didn’t feel right at first? You liked it, but there’s just something that maybe you are missing from the experience? Something that made you wrestle? The debut album from Tilt was that way for me. One of the weirdest things about that type of album is that they often turn into addictive experiences eventually. It’s almost like an album that takes longer to jive with you is the same kind of album that sticks with you longer, too. Tilt’s debut album “Hinterland” is a great experience on the first listen, but it wasn’t until the fifth or sixth listen that it really settled.
Tilt’s debut album is actually a pretty big deal. The band includes Steve Vantsis (bass, guitar, keys, programming), Dave Stewart (drums), PJ Dourley (vocals), Paul Humphreys (guitar) and Robin Boult (guitar). Some of these guys were the band for the legendary Fish, so I guess I should have expected something new from them since Fish is retiring. Anyways, guesting on the album are John Beck of It Bites and John Mitchell of Lonely Robot and Frost*. Overall, this is quite a line-up, so I was pretty excited to hear the album.
The band describes their style as rock and electronic. What I hear on this album is progressive rock in the vein of Frost* or Porcupine Tree, meaning steely guitars mesh with atmospheric keys, bubbling bass lines, and fantastic drumming. The album does have an electronic side to it, especially on “Bloodline” and “Assembly” and “Disassembly”, but it is not the focus. Instead, atmosphere via Steve’s keys, layered instrumentals grounded by Dave’s drums and Steve’s bass, and runaway solos and awesome guitar licks from Paul and Robin are the real focus here.
I have to say that I am very impressed with PJ’s vocals. His voice is crisp and clear, and he gets very technical at times, firing off lyrics at a rapid pace or holding notes strongly. He’s one of those singers whose vocal lines seem so familiar, but you can’t quite put your finger on why that is. I hear vocal lines reminiscent of everyone from Frost* to Vex Red (a defunct alternative band) to some classic rock singer I can’t name, but I’m sure that’s all in my head. Overall, though, his voice is his own and amazingly soothing.
The music here is varied and well-constructed, giving away that these guys are veterans of music. The album begins and ends with tracks that are slower and spaced out, but tracks in between, like “Hinterland” with its amazing instrumentals near the end or the ballad “Against the Rain” and its emotional climax, are more straightforward and candy to the ears. “No Superman” is a very personal, vocally dominated track, followed by the icy “Growing Colder”, a track that feels like a bridge to “Strontium Burning” and “Bloodline”, two songs that take time to grow on you; but, when they finally find that niche in your brain, they become emblazoned on your heart.
This is The PROG Mind, right? This site was established to discuss lyrics more often than other sites do, so I feel a need to address the lyrics here. “Hinterland”, as an album, is a journey. It’s a journey with emotions that we all recognize, and so we can relate to it well. However, we all have different paths, right? The main theme behind this album is a journey through and out of religion. At the beginning, we see the protagonist worn down and weary, full of guilt and shame. Slowly, he sees the “truth” and emerges into the air of freedom and, I suppose, atheism. The final declaration is that we are alone, and that Jesus is a myth. It’s very vivid and succinct in its message.
Most of you know that I am a Christian, and you probably also know that I’m not a typical one that you see in the media. I recognize and even agree with most of the sentiments in this album. I’ve felt the same way. I’ve battled the same emotions, guilt, and fear. There is a point in the album, I believe it’s at the end of “Growing Colder”, where the transition takes place. The next track, “Strontium Burning”, evokes emotions that I know only too well, when you emerge into the air of truth and freedom (strontium reacts with air). The transition, though, only seems driven by personal feelings, and I end up disagreeing with the protagonist’s final declarations, as they ignore 3000 years of philosophy and history.
His conclusions honestly ticked me off momentarily, but then I came to appreciate the heart and meaning here. It’s difficult to find meaningful lyrics outside progressive music, and so I fully appreciate and commend the lyrics on this album. No matter if you agree with it or not, though, the lyrical content here is palpable and demands a reaction from you. That, my friends, is good writing!
“Hinterland”, then, is a debut that has meat. It’s an album that you will struggle with, all the while being totally entertained and amazed by the music and the fantastic vocals. It is a lush journey full of emotions, struggles, and grand feelings of freedom; and the melodies and choruses are catchy and very memorable. Tilt’s debut is worth every minute of your time.
Maybe I dont want to think….& just listen to the Music….😀
If that’s what you want, then be my guest. My mind doesn’t work like that.
Haha, then what are you doing on a progressive rock site?
The transition, though, only seems driven by personal feelings, and I end up disagreeing with the protagonist’s final declarations, as they ignore 3000 years of philosophy and history.
It is dishonest to frame the argument for the choice for atheism as “personal feelings” and the choice for religion as “3000 years of philosophy and history”.
Aside from the fact that not everything (including philosophy and history) in those “3000 years” supports the argument for religion; even the things that do, do not all point to Christianity as the true religion. And even the things that point to Christianity as the true religion, have lead to thousands of denominations which differ on what is the “truth”.
Atheism does not mean “There is no god”, it is simply a lack of belief in god.
Obviously, I didn’t get into this discussion because this review is ultimately about the music, and not whether the lyrics are correct or incorrect. I do find, however, that most atheists I speak with are completely ignorant of philosophy. They wave the banner of science, not realizing that philosophy is their foundation. When I try to discuss philosophy with them, they generally get angry, as they have no interest in either testing the foundations of their beliefs or in exploring the consequences of their world view. Now, this isn’t every atheist, but it is certainly the majority that I have engaged. My comment was more about that than any one religion. I myself have chosen Christianity because it makes the most sense to me, though its adherents often do not follow what it teaches.
Pingback: TPM Top 25 Albums of 2016 | The PROG Mind·
That’s the great thing about music.. if it’s done RIGHT.. you’ll get something out of it. It might be happiness, sadness, anger, or plain old goosebumps. It might trigger a memory from your childhood, or adulthood encounter. Let the music do it’s thing, when the song(s) end, be glad you are still alive to feel them.
As for the religion, know that some who always believed, might no longer. Comfort in the fact that some of them come back. Great album BTW!
Very mature and wise comment. Thanks for reading!
Interesting comments on atheism etc., of which I am not qualified to comment on. However, I’m afraid I’m a humble fan of music I like and see the talent within. Having read the original comments and overall take on Hinterland I must agree with the fact that the album is incredible. I had the pleasure of seeing Tilt in support “if support is the right word (no sides taken”)” of Lonely Robot last year in London. I felt both bands were as formidable as each other. The live set by Tilt left me in awe and wanting more from them. The album definitely needed airing and once home my stereo was loaded and volume set to annoy the neighbours level. I had reservations as in general I find live concerts by far, more engrossing as you become immersed with the atmosphere. I will agree that in the cold light of day it did take a few plays to “feel it” but “feel it” I did. I await their next instalment with anticipation.