Nad Sylvan is ever the anomaly, ever the classy, quirky artist that I can’t help but adore. His works don’t sound like anyone else, but they also bear witness to past decades, making his albums feel both nostalgic and new. And then there’s his signature charm, his witty and theatrical persona that may seem odd to new listeners. Bear with him, I suggest, because it will become endearing. Nad is set to release his new album Monumentata on June 20th through Inside Out Music.
Nad is best known as the live vocalist for the Genesis portion of Steve Hackett’s concert tours. To me, I know him best from his extensive solo albums that stretch all the way back to the 90s. I am most acquainted with his Inside Out Music output, his The Bride Said No (2017) record is still a hidden gem in my book, but all of this records are high quality.
Monumentata is his first album since 2021, the longest gap in some time. I assume that’s because he’s quite busy touring. Anyways, Nad is well-known for his quirky themes, excellent lyrics, and stylish albums—most of them visiting sounds from the 70s and 80s with his fresh spin. This new record goes back even further, channeling the 60s not only in funky, groovy rhythms, but also in lyrics and flair. Seriously, there’s even a track that sounds a bit like the Addams Family sitcom theme.
Nad’s music is ever a revolving door of spunky writing, fantastic instrumentation, and tongue-in-cheek drama. He is quite melodramatic as a front man, but he handles keys, guitars, and bass, too. He also brings with him a long list of guest musicians, such as Randy McStine, Tony Levin, Nick Beggs, Jonas Reingold, and more.
Monumentata officially has eight songs and runs about 45 minutes. There is one bonus track on the CD, as well. I really like every song on the album, honestly. The first half has some Demogorgon tunes, like “Secret Lover” with its fiery groove and gorgeous instrumental—for some reason I always think of Stevie Wonder’s “Part-Time Lovers”, though it doesn’t sound anything like it. I’m also partial to the single “Monte Carlo Priceless”, which feels personal, warm, and groovy. I honestly can’t get enough of that tune. Another great one is “Wildfire”, which has some attitude and fabulous synth that get my blood flowing.
The second half is great and has some truly interesting songs. “Make Somebody Proud” is pure, infectious melody that will make you want to sing. “I’m Stepping Out” has an Addams Family rhythm to it that makes it feel slightly sinister and strange; give it a moment because it will certainly grab your attention. The title track ends the album proper with a spacious, emotional, and piano-laced beauty—it feels very 60s and is absolutely gorgeous. The bonus track “Unkillable” is a fun piece with a spunky rhythm and confident air. I really like it, too.
Nad never releases the same album twice, and Monumentata is a playful, charming evolution. I love his songwriting abilities, and having the rock solid performers behind him only makes the album sound even better. Fans of retro prog rock and witty songwriting need to take a look at this one.
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The PROG Mind 